In indigenous communities in the poor state of Michoacán, there aren’t a lot of employment opportunities for women without much education. If a woman can work on a blouse or rebozo for a few hours a day while a pot of beans is cooking over the fire and she watches her children, that is something that can provide some income for her family. The traditional designs that have been passed down from mother to daughter represent their community and culture. If the demand for the work disappears, it would be a financial and spiritual loss for the women and their families.
Should we know the name of the maker of a piece of art, be it a painting or a clay pot? We strive to tell the story behind the artesania we buy and sell, to respect and honor the hardworking craftspeople who make it. But does it make a difference to you to see the artist's face or learn her story, and does that knowledge or artist's signature in fact make the work more valuable?